Anuradha (Mun)nailed this title track

My collection contained one song from Aayee Milan Ki Raat, which released in 1991.

And it happened to be the title track of the film.

The first six words of the line went, “Kitne Dinon Ke Baad Hai Aayee”.

While they were followed by the word Sajna, the three that followed it were Milan Ki Raat.

The two people who lent their voices to the song were Anuradha Paudwal and Mohammed Aziz (popularly known as Munna).

It was written by Sameer Anjaan.

The two men who composed the song were the Srivastavs, Anand and Milind.

It wA(zi)z rendered by Salma

Pati Patni Aur Tawaif released in 1990.

My collection contained just one song from the film.

It was titled Kehna Na Tum Yeh Kisi Se.

Two people lent their voices to the song.

One was Salma Agha, the lady who rendered the majority of the tracks in the film.

And the other was Mohammed Aziz.

Not only did he sing most of the songs in the film, but he also happened to be the only male singer on its soundtrack.

Anand Bakshi wrote the Laxmikant-Pyarelal composition.

The song was half-a-dozen minutes and five seconds long.

This wA(zi)z the title tracKK

Jeevan Ek Sanghursh (1990), directed by Rahul Rawail, was a tribute to Sunghursh, which released in 1968, and was directed by his father, H S Rawail.

My collection contained just one song from the film.

Or, to be precise, one version of one song – the film’s title track.

It was rendered by Kavita Krishnamurthy and Mohammed Aziz.

Javed Akhtar penned the song, which Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma composed.

It was three minutes and 13 seconds long.

The other version of the song – on which the aforementioned quintet collaborated – was half-a-dozen minutes long.

Aziz (Paudw)also rendered this one

Doodh Ka Karz released in 1990.

The only song from the film in my collection was Tumhe Dil Se Kaise.

The next three words of the song was Juda Hum Karenge.

The two people who lent their voices to the song were Anuradha Paudwal and Mohammed Aziz.

While the former happened to be the only female playback singer on the soundtrack of the film, the latter sang the majority of the songs in it.

The song was written by the legendary Anand Bakshi.

And the man who composed it was none other than Anu Malik.

PerhAPs Aziz’s popularity started waning

The subject of this post was from a film in whose title the word Numbri appeared twice.

And there were two numbers from it in my collection.

I am referring to Haan Pehli Baar Hua Hai [which would be the second if the songs from Baap Numbri Beta Dus Numbri (1990) in it were arranged in the alphabetical order].

By that point, the popularity of Mohammed Aziz – one of the two people who sang the song – had begun to decline.

Anuradha Paudwal joined him behind the microphone for the Nadeem-Shravan composition, which Sameer Anjaan penned.

Aziz sang it with Lata

Ram-Avtar released in 1988.

My collection contained just one version of a song from the film.

Or, to be precise, one version of it.

The track in question was Angooli Mein Angoothi.

It was sung by Lata Mangeshkar and Mohammed Aziz, who, incidentally, sang another version of it, titled Part 1.

While Mangeshkar lent her voice to Part 2, Aziz sang Part 3.

It would not be incorrect to state that the latter was the voice of the soundtrack.

Anand Bakshi penned the song, which was composed by Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma.

It wA(zi)z rendered by Paudwal

Khatron Ke Khiladi, for folks my age, is a stunt-based reality show on television.

But its big-screen namesake released in 1988.

My collection contained just one song from the film.

It was titled Teri Meri Pyaar Bhari Baaton Mein.

By no means would it be incorrect to state that it was the first song in lyricist Anand Bakshi’s ‘Fire in the Water’ Duology – the next line of the song went ‘Aag Lag Gayi Barsaaton Mein’.

Anuradha Paudwal and Mohammed Aziz lent their voices to the song, which Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma composed.

This was another Paudwal-Aziz duet

Biwi Ho To Aisi (1988) marked the big-screen debut of Salman Khan (who played a supporting role in it).

My collection contained just one song from the film.

It was titled Phool Gulaab Ka.

By the way, that track had a couple of other things in common with the subject of the previous post.

Firstly, the two people who lent it their voices were Anuradha Paudwal and Mohammed Aziz.

And secondly, it was composed by Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma.

Sameer Anjaan wrote the song, which was half-a-dozen minutes and nine seconds long.

 

The ‘PyAr Karenge’ Duology concluded

A film title Bees Saal Baad released in 1962.

Chhabees saal baad (i.e., in 1988), an unrelated film of the same name released.

The only song from the film in my collection was a word that had three things in common with the subject of the previous post.

Firstly, the last two words in its title were Pyar Karenge.

Therefore, the ‘Pyar Karenge’ Duology concluded.

By the way, it was preceded by Hum Tumhe Itna.

Secondly, Anand Bakshi wrote the song.

And thirdly, it was a Laxmikant-Pyarelal composition.

Anuradha Paudwal and Mohammed Aziz sang it.

 

 

Aziz sang this one too

My collection contains a couple of songs from the 1986 film Nagina, including the subject of this post.

If they were arranged in the alphabetical order, as well as in the ascending order of their durations, Aaj Kal Yaad Kuchh Aur Rehta Nahin would be the first – it was half-a-dozen minutes and 28 seconds long.

This song and the subject of the previous post had three things in common.

Firstly, they were written by Anand Bakshi.

Secondly, they were composed by Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma.

And thirdly, Mohammed Aziz sang it too.

Only Aziz’s solo was included

Amrit – which released in 1986 – was the second Mohan Kumar film on this playlist [after Avtaar (1983)].

My collection contained just one song from the film.

Or, to be precise, one version of one song.

The track in question was the male version of Duniya Mein Kitna Gham Hai.

The next line of the song, which was rendered by Mohammed Aziz, went, “Mera gham kitna kum hai”.

Anand Bakshi wrote the song, which was composed by Laxmikant-Pyarelal.

While Anuradha Paudwal rendered the female version, the third – sung by Paudwal and Aziz – lent it their voices.