(Am)It was rendered by Anuradha

Yaadon Ke Mausam released in 1990.

The film was produced and directed by Salahuddin Parvez.

He also wrote the screenplay and the songs.

Speaking of the latter, my collection contained just one of them.

It was titled Ik Chand Ko Hum Bhi Dekhenge.

Two people lent their voices to the song.

One was Anuradha Paudwal.

And the other was Amit Kumar.

While on two, it must be mentioned that that was the number of men who composed the song.

And they happened to be brothers.

The siblings in question are the Srivastavs, Anand and Milind.

It wA(zi)z rendered by Salma

Pati Patni Aur Tawaif released in 1990.

My collection contained just one song from the film.

It was titled Kehna Na Tum Yeh Kisi Se.

Two people lent their voices to the song.

One was Salma Agha, the lady who rendered the majority of the tracks in the film.

And the other was Mohammed Aziz.

Not only did he sing most of the songs in the film, but he also happened to be the only male singer on its soundtrack.

Anand Bakshi wrote the Laxmikant-Pyarelal composition.

The song was half-a-dozen minutes and five seconds long.

(Am)It was sung by Sapna

Aika and Suno are Marathi and Hindi for ‘listen’, respectively.

A portmanteau of those words was Aiko.

It was the first of the two words in the only song from Muqaddar Ka Badshaah (1990) in my collection.

The other was Haina, which is Hindi for ‘Isn’t it?’

The version of the song, which was five minutes long, was a duet – (Am)it was rendered by Sapna Mukherjee and Mr Kumar.

Sameer Anjaan wrote the song, which was composed by Viju Shah.

The other version – which was sung by Kumar – was a minute and 50 seconds long.  

Nitin sang it with Lata

Kishen Kanhaiya released in 1990.

My collection contained five songs from the film, including the subject of this post.

If they were arranged in the alphabetical order, Krishna Krishna Aaye Krishna would the second.

Two people lent their voices to that song, whose next four words went, “Jagmag Hua Re Angna”.

One of them was the one and only Lata Mangeshkar.

And the other was Nitin Mukesh.

It happened to be the only contribution of the pair to the soundtrack of the film.

The song, which was penned by Indeevar, was composed by Rajesh Roshan.

This wA(zi)z the title tracKK

Jeevan Ek Sanghursh (1990), directed by Rahul Rawail, was a tribute to Sunghursh, which released in 1968, and was directed by his father, H S Rawail.

My collection contained just one song from the film.

Or, to be precise, one version of one song – the film’s title track.

It was rendered by Kavita Krishnamurthy and Mohammed Aziz.

Javed Akhtar penned the song, which Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma composed.

It was three minutes and 13 seconds long.

The other version of the song – on which the aforementioned quintet collaborated – was half-a-dozen minutes long.

Puri joined Yagnik and Deshpande

Haatim Tai – a film whose plot was based on the real-life story of the noted Arab poet Haatim al-Tai – released in 1990.

My collection contained just one song from the film.

It was titled Aaj Bachna Hai Mushkil.

Baddie Amrish Puri, who played a magician in the film, was one of the three people who lent their voices to the song.

While it was one of Alka Yagnik’s two contributions to the film’s soundtrack, it was Anupama Deshpande’s contribution to it.

Hasan Kamal wrote the song, which Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma composed.

Aziz (Paudw)also rendered this one

Doodh Ka Karz released in 1990.

The only song from the film in my collection was Tumhe Dil Se Kaise.

The next three words of the song was Juda Hum Karenge.

The two people who lent their voices to the song were Anuradha Paudwal and Mohammed Aziz.

While the former happened to be the only female playback singer on the soundtrack of the film, the latter sang the majority of the songs in it.

The song was written by the legendary Anand Bakshi.

And the man who composed it was none other than Anu Malik.

It was S(an)ung by Yagnik

C.I.D. released in 1956.

Thirty-four years later, a lesser-known namesake – which, incidentally, had nothing in common with it – released.

While the soundtrack of the former continues to be popular, my collection contained just one song from the latter.

It was titled Teri Na Na Na.

By no means would it be incorrect to state that the repeated word in the song’s title was the listeners’ reaction to it.

The duo who lent the track their voices were Alka Yagnik and Kumar Sanu.

Anjaan wrote the song, which Kalyanji Virji Shah and Anandji Virji Shah composed.

This song became quite PoPUlar

Bahaar Aane Tak released in 1990.

My collection contained a couple of songs from the film, including the subject of this post.

If they were arranged in the alphabetical order, it would be the second –the title of the song was Mohabbat Inayat Karam Dekhte Hain.

Anuradha Paudwal, the only female singer on the soundtrack of the film, lent her voice to the song – a duet, for which she was joined behind the microphone by Pankaj Udhas.

It was penned by Indeevar, composed by Rajesh Roshan, and was quite a popular song in the 1990s.

PerhAPs Aziz’s popularity started waning

The subject of this post was from a film in whose title the word Numbri appeared twice.

And there were two numbers from it in my collection.

I am referring to Haan Pehli Baar Hua Hai [which would be the second if the songs from Baap Numbri Beta Dus Numbri (1990) in it were arranged in the alphabetical order].

By that point, the popularity of Mohammed Aziz – one of the two people who sang the song – had begun to decline.

Anuradha Paudwal joined him behind the microphone for the Nadeem-Shravan composition, which Sameer Anjaan penned.